INVENT conference Barcelona
Arroyo, C. & S. Albertí (May 2023). INVENT conference Barcelona
The realm of culture has always been connected to different social issues. However, since the French Revolution, it became clear that culture was a fundamental part of the social order, its reproduction, and its transformation. By refusing large aspects of aristocratic culture, the French revolutionaries continued the work of the Enlightenment, considering that art and cultural activities were key components of a change in society towards freedom and democracy.
ExploreThe term ‘social movements’ describes the phenomenon of a network based on informal interactions between a plurality of individuals, groups, and/or organizations that share collective identities and engage in political or cultural conflicts. Sociologists have increasingly used the term since the 1960s in light of the rising collective actions and protests on a global scale. While labour and/or socialist movements predominated during the beginning of the 20th century, the post-World War II period saw the emergence of a plethora of different social movements, such as environmental, peace, women’s rights, and anti-racism movements. Social movements are only one form of collective action and are part of a larger ‘civil society’, which includes both social movements and individual citizens. At times, different notions of collective action overlap. Researchers in sociology and political science, among others, believe that social movements and citizens are an important link to democracy and democratisation processes. However, their influence on the democratisation process depends on the nation’s institutional context and the linkages between social movements, political parties, and the ruling elite.
ExploreCultural commons emerged as a topic within the cultural policy field during the wave of academic and activist writing related to the resurrection of the commons in the mid-2000s. It has been gaining prominence ever since, especially among institutional cultural actors.
ExploreCultural production refers to the creation, dissemination, and preservation of various forms of cultural expression, including art, literature, music, film, theatre, and more. Traditionally, cultural production has been organised and funded through established models such as government support (mostly in Europe), private patronage (mainly in the US through donations), ticket sales, publishing deals, and grants. However, new organisational and funding models have emerged in recent years, driven by technological advancements, changing audience behaviours, and evolving cultural landscapes.
ExploreSocial cohesion is a concept that describes the level of social integration and solidarity within a community or society. It refers to the degree to which individuals and groups are connected and work together to achieve common goals, despite differences in their backgrounds, beliefs, or values. The strength of social bonds, trust, and cooperation among people is a key component of social cohesion. In a society with high social cohesion, people are more likely to feel a sense of belonging, share similar values, and work together towards the well-being of the community as a whole. This can lead to greater social stability, resilience, and prosperity. On the other hand, low levels of social cohesion can result in social divisions, conflicts, and inequality.
ExploreTrust is an essential component for the functioning and well-being of society. Trust contributes to the stability of the social community and creates a sense of predictability and security among its members. Trust also plays a role in conflict resolution. In societies with high levels of trust, conflicts are often resolved more peacefully through negotiation and dialogue instead of resorting to violence or aggression. Trust is often related to a specific culture or social context. Some social systems or communities may have deeply rooted patterns of trust, while others may be inclined to be sceptical or distrustful of others.
ExploreArroyo, C. & S. Albertí (May 2023). INVENT conference Barcelona
Nicolas Lampert – Art & Nonviolent Social Movements. 2023
Cvetičanin, P., M. Petrić & I. Tomić Koludrović (2023). Towards a social turn in cultural policy: A policymaker’s guidebook. INVENT publication.
Holla, S., Karels, A., & Janssen, S. (Eds.). (2022). INVENT Newsletter II.
Janssen, S., (Ed.) (2021). INVENT Newsletter I.
Karels, A., Janssen, S., & Holla, S. (Eds.). (2023). INVENT Newsletter III.
Cicchiello, A.F., Gallo, S. & Monferrà, S. (2023). Financing the cultural and creative industries through crowdfunding: the role of national cultural dimensions and policies. Journal of Cultultural Economics 47, 133–175. https://doi.org/10.1007/s10824-022-09452-9
Printmaking for a Social Movement. 2017
Ashton Attzs – The Intersection of Art, Social Movements, Corporations and the Next Generation. 2020
Council of Europe. (2005). Methodological guide on social cohesion policy. ISBN 92-871-5742-1
Jane Jenson. (2010). Defining and Measuring Social Cohesion. Commonwealth Secretariat and United Nations Research Institute for Social Development. ISBN: 978-1-84859-072-4
United Nations Economic Commission for Europe. (2023). Social Cohesion: Concept and Measurement. United nations. ISBN 978-92-1-358503-0
Vollhardt, J.K., Migacheva, K., Tropp, L.R. (2009). Social Cohesion and Tolerance for Group Differences. In: de Rivera, J. (eds) Handbook on Building Cultures of Peace. Peace Psychology Book Series. Springer, New York, NY
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Sinapi, C. and Juno-Delgado, E. (2015). Motivations for Establishing Cooperative Companies in the Performing Arts: A European Perspective. Advances in the Economic Analysis of Participatory & Labor-Managed Firms (Advances in the Economic Analysis of Participatory & Labor-Managed Firms, Vol. 16), Emerald Group Publishing Limited, Leeds, pp. 63-107.
Juno-Delgado, E., McCulloch, M., & Sinapi, C. (2014). Shared services and performing arts co-operatives. In Research Handbook on Sustainable Co-operative Enterprise. Cheltenham, UK: Edward Elgar Publishing.
Shneor, R., Zhao, L. & Flåten, B-T.(2020). Advances in Crowdfunding: Research and Practice. Palgrave MacMillan. ISBN 978-3-030-46309-0
Cicchiello, A.F., Gallo, S. & Monferrà, S. (2022) Mapping crowdfunding in cultural and creative industries: A conceptual and empirical overview. European Management Review, 19(1), 22–37. https://doi.org/10.1111/emre.12510
John Knell and Matthew Taylor (2011). Arts Funding, Austerity and the Big Society: Remaking the case for the arts? RSA.
Kate DeCiccio. Art as Activism. 2017
Cultural sustainability in tourism: management model for heritage sites #MONDIACULT2022
David Boyle and Kate Oakley. (2018). Co-operatives in the Creative Industries. Co-operatives UK.
Handke, C., Dalla Chiesa, C. (2022). The art of crowdfunding arts and innovation: the cultural economic perspective. Journal of Cultural Economics 46, 249–284 (2022). https://doi.org/10.1007/s10824-022-09444-9
Lucia Marchegiani (2018) From Mecenatism to crowdfunding: engagement and identification in cultural-creative projects, Journal of Heritage Tourism, 13:2, 143-151, DOI: 10.1080/1743873X.2017.1337777
Deb Verhoeven - Crowdfunding Strategy Discussion. 2022
Discussion on Crowdfunding. 2020.
Art Basel's Crowdfunding Initiative: Focus Projects. 2015
Alice Demattos Guimarães & Natalia Maehle (2023) Evolution, trends, and narratives of cultural crowdfunding: the case of Norway, International Journal of Cultural Policy, 29:7, 942-970, DOI: 10.1080/10286632.2022.2152446
Sustainability Curricula for Cultural Heritage Conservation. 2022
OECD webinar: Heritage, responsible cultural tourism, and sustainable development. 2021
Be inspired to make the change - Socio-economic inclusion in the Creative Industries. 2021
Making the Future Work - Session 3 - Sector Focus: UK Creative Industries. 2023
Angelika Kędzierska-Szczepaniak (2021) Crowdfunding – innovative financing of cultural ventures by society, Procedia Computer Science, 192: 4348-4357.
Virtual Workshop: Towards Better Sharing of Cultural Heritage. 2022
Ellen Loots, Kaja Piecyk & Yosha Wijngaarden (2024) At the juncture of funding, policy, and technology: how promising is match-funding of arts and culture through crowdfunding platforms?, International Journal of Cultural Policy, 30:1, 118-134, DOI: 10.1080/10286632.2023.2173746
Quirijn Lennert van den Hoogen (2020) Values in crowdfunding in the Netherlands, International Journal of Cultural Policy, 26:1, 109-127, DOI: 10.1080/10286632.2018.1433666
Shu-Ching Chou, Yu-Hsiu Cheng & Dina Yeni Martia (2022) Fundraising policies in cultural and creative industries: public stock market and crowdfunding channels, International Journal of Cultural Policy, 28:6, 730-754, DOI: 10.1080/10286632.2021.2011253
Jelinčić, Daniela Angelina, and Marta Šveb. 2021. Financial Sustainability of Cultural Heritage: A Review of Crowdfunding in Europe" Journal of Risk and Financial Management 14, no. 3: 101. https://doi.org/10.3390/jrfm14030101
Elisabetta Lazzaro & Douglas Noonan (2021) A comparative analysis of US and EU regulatory frameworks of crowdfunding for the cultural and creative industries, International Journal of Cultural Policy, 27:5, 590-606, DOI: 10.1080/10286632.2020.1776270
Carolina Botero – Treating Knowledge, Culture and Science as Commons. 2013
Guy Standing - Plunder of the Commons: a manifesto for sharing public wealth. 2019
Open Culture Voices — Special Episode Parts 1 & 2.2023
Silke Helfrich - Economics and the Commons?! Towards a Commons Creating Peer Economy. 2013
Eizaguirre Anglada, Santiago “Cultural commons as a key for bottom-linked policies. An exploration of the support for public and community partnerships in Barcelona”. on the w@terfront. Barcelona. Universitat de Barcelona vol. 64, nr. 12, p. 3-39. http://dx.doi.org/10.1344/waterfront2021.63.12.01
Emanuela Macrì, Valeria Morea, Michele Trimarchi (eds.) (2021). Cultural Commons and Urban Dynamics: A Multidisciplinary Perspective. Springer.
Marttila, S., Botero, A. Infrastructuring for Cultural Commons. Computer Supported Cooperative Work (CSCW) Article 26, 97–133 (2017).
Lekakis, S. (ed.), 2020. Cultural heritage in the realm of the commons: Conversations on the Case of Greece. London: Ubiquity
Renata Paola Dameri & Sara Moggi (2021) Emerging business models for the cultural commons. Empirical evidence from creative cultural firms, Knowledge Management Research & Practice, 19:3, 341-354, DOI: 10.1080/14778238.2019.1664945
Alice Borchi (2018) Culture as commons: theoretical challenges and empirical evidence from occupied cultural spaces in Italy, Cultural Trends, 27:1, 33-45, DOI: 10.1080/09548963.2018.1415410
Jordi Pascual i Ruiz & Sanjin Dragojević(2007) Guide to Citizen Participation in Local Cultural Policy Development for European Cities. European Cultural Foundation
Community arts: planning and processes. 2018
The power of art in mobilizing social movements. 2023
Rosa Santibanez – The Power of Art in Social Movements. 2019
Aleksander Bikbov – New Social Movements Protests in Russia and New Media. 2012
Tsaliki, L. (2007). "The Construction of European Identity and Citizenship Through Cultural Policy". In Media and Cultural Policy in the European Union. Leiden, The Netherlands: Brill. https://doi.org/10.1163/9789401204156_010
Lluis Bonet, Emmanuel Négrier, The participative turn in cultural policy: Paradigms, models, contexts, Poetics, Volume 66, 2018, Pages 64-73. https://doi.org/10.1016/j.poetic.2018.02.006.
Edwin Amenta and Francesca Polletta. The Cultural Impacts of Social Movements. Annual Review of Sociology 2019 45:1, 279-299. https://doi.org/10.1146/annurev-soc-073018-022342
John Roberts - The Problems and Horizons of Socially Engaged Art Today. 2021
Jane Gilmor - Within and Without: A Socially Engaged Art Practice Investigates. 2021
Marc James Léger – Socially Engaged Art as Professional-Managerial Class. 2022
Nato Thompson - Socially Engaged Art Outside the Bounds of an Artistic Discipline. 2017
Socially engaged art - discussion part of the series Culture Tensions. 2023
Living as Form: Socially Engaged Art from the Last 20 Years. 2017
Tania Bruguera and Tate Neighbours – The Art of Social Change. 2018
Badham, M. (2010). Legitimation: The Case for “Socially Engaged Arts” - Navigating Art History, Cultural Development and Arts Funding Narratives. Local-Global: Identity, Security, Community, 7, 84–99.
Neiva Ganga, R. (2022). Evaluating cultural legacy: From policy to engaged research. In A Research Agenda for Event Impacts. Cheltenham, UK: Edward Elgar Publishing.
McGuigan, J. (1996). Culture and the Public Sphere. Routledge. https://doi.org/10.4324/9780203203330
Choo, Soyoon; Currid-Halkett, Elizabeth. Socially Engaged Art(ists) and the 'Just Turn' in City Space: The Evolution of Gwanghwamun Plaza in Seoul, South Korea. Built Environment, Volume 46, Number 2, Summer 2020, pp. 119-137(19).
Güngör, Ayşe. Collaboration and Visibility: Changing Relations Between Socially Engaged Art, Anthropology and Urban Sphere in Turkey. Estudo Prévio 15, 2019.
José de Freitas Santos, Laurentina Vareiro, Paula Remoaldo & José Cadima Ribeiro (2017) Cultural mega-events and the enhancement of a city's image: differences between engaged participants and attendees, Journal of Policy Research in Tourism, Leisure and Events, 9:2, 129-151, DOI: 10.1080/19407963.2016.1157598
Rushton, M. (2023). The Moral Foundations of Public Funding for the Arts. Palgrave Macmillan Cham. ISBN978-3-031-35105-1
Victoria Durrer, Abigail Gilmore, Leila Jancovich & David Stevenson (eds.) (2023). Cultural Policy is Local: Understanding Cultural Policy as Situated Practice. Palgrave Macmillan Cham. ISBN 978-3-031-32311-9
Jane Woddis. (2023). Acting on Cultural Policy: Arts Practitioners, Policy-Making and Civil Society. Palgrave Macmillan Cham. ISBN 978-3-031-11161-7