Krueger - The Economics of Real Superstars
Krueger, A. B. (2005). The economics of real superstars: The market for rock concerts in the material world. Journal of Labor Economics, 23(1): 1-30.
Cultural production refers to the creation, dissemination, and preservation of various forms of cultural expression, including art, literature, music, film, theatre, and more. Traditionally, cultural production has been organised and funded through established models such as government support (mostly in Europe), private patronage (mainly in the US through donations), ticket sales, publishing deals, and grants. However, new organisational and funding models have emerged in recent years, driven by technological advancements, changing audience behaviours, and evolving cultural landscapes.
Continue reading ...Krueger, A. B. (2005). The economics of real superstars: The market for rock concerts in the material world. Journal of Labor Economics, 23(1): 1-30.
Fer, A., & Baarsma, B. (2016). Rockonomics revisited: The rise of music streaming services and the effect on the concert industry. International Journal of Music Business Research, 5(1), 7-35.
Yin, S. (2020). Cultural production in the working-class resistance: Labour activism, gender politics, and solidarities. Cultural Studies, 34(3), 418-441.
Bernardi, A., Berranger, C., Mannella, A., Monni, S., & Realini, A. (2022). Sustainable but not spontaneous: Co-operatives and the solidarity funds in Italy. Sustainability, 14(8), 4516.
Sinapi, C., & Juno-Delgado, E. (2015). Motivations for Establishing Cooperative Companies in the Performing Arts: A European Perspective. In Advances in the Economic Analysis of Participatory & Labor-Managed Firms (Vol. 16, pp. 63–107). Emerald Group Publishing Limited.
Webinar Host: Terry Tyldesley Co-ops: Empowering arts and culture
Webinar Host: Steven Flower Freelancers unite! The Power of Co-ops and Joint Working
Bodnar, C. (2006). Taking it to the streets: French cultural worker resistance and the creation of a precariat movement. Canadian journal of communication, 31(3): 675-694.
Coles, A. (2016) Creative class politics: unions and the creative economy. International Journal of Cultural Policy, 22(3): 456-472.
Mangset, P. (2009). The Arm’s Length Principle and the Art Funding System: A ComparativeApproach. In: Miikka Pyykkönen, Niina Simanainen & Sakarias Sokka (Eds.) What About Cultural Policy? Interdisciplinary Perspectives on Culture and Politics, (273-297). Helsinki: Minerva. ISBN 978-952-492-320-0
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Cicchiello, A.F., Gallo, S. & Monferrà, S. (2023). Financing the cultural and creative industries through crowdfunding: the role of national cultural dimensions and policies. Journal of Cultultural Economics 47, 133–175. https://doi.org/10.1007/s10824-022-09452-9
Sinapi, C. and Juno-Delgado, E. (2015). Motivations for Establishing Cooperative Companies in the Performing Arts: A European Perspective. Advances in the Economic Analysis of Participatory & Labor-Managed Firms (Advances in the Economic Analysis of Participatory & Labor-Managed Firms, Vol. 16), Emerald Group Publishing Limited, Leeds, pp. 63-107.
Juno-Delgado, E., McCulloch, M., & Sinapi, C. (2014). Shared services and performing arts co-operatives. In Research Handbook on Sustainable Co-operative Enterprise. Cheltenham, UK: Edward Elgar Publishing.
Shneor, R., Zhao, L. & Flåten, B-T.(2020). Advances in Crowdfunding: Research and Practice. Palgrave MacMillan. ISBN 978-3-030-46309-0
David Boyle and Kate Oakley. (2018). Co-operatives in the Creative Industries. Co-operatives UK.
Cicchiello, A.F., Gallo, S. & Monferrà, S. (2022) Mapping crowdfunding in cultural and creative industries: A conceptual and empirical overview. European Management Review, 19(1), 22–37. https://doi.org/10.1111/emre.12510
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Lucia Marchegiani (2018) From Mecenatism to crowdfunding: engagement and identification in cultural-creative projects, Journal of Heritage Tourism, 13:2, 143-151, DOI: 10.1080/1743873X.2017.1337777
Deb Verhoeven - Crowdfunding Strategy Discussion. 2022
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Art Basel's Crowdfunding Initiative: Focus Projects. 2015
Alice Demattos Guimarães & Natalia Maehle (2023) Evolution, trends, and narratives of cultural crowdfunding: the case of Norway, International Journal of Cultural Policy, 29:7, 942-970, DOI: 10.1080/10286632.2022.2152446
Sustainability Curricula for Cultural Heritage Conservation. 2022
Cultural sustainability in tourism: management model for heritage sites #MONDIACULT2022
OECD webinar: Heritage, responsible cultural tourism, and sustainable development. 2021
Be inspired to make the change - Socio-economic inclusion in the Creative Industries. 2021
Making the Future Work - Session 3 - Sector Focus: UK Creative Industries. 2023
Angelika Kędzierska-Szczepaniak (2021) Crowdfunding – innovative financing of cultural ventures by society, Procedia Computer Science, 192: 4348-4357.
Ellen Loots, Kaja Piecyk & Yosha Wijngaarden (2024) At the juncture of funding, policy, and technology: how promising is match-funding of arts and culture through crowdfunding platforms?, International Journal of Cultural Policy, 30:1, 118-134, DOI: 10.1080/10286632.2023.2173746
Quirijn Lennert van den Hoogen (2020) Values in crowdfunding in the Netherlands, International Journal of Cultural Policy, 26:1, 109-127, DOI: 10.1080/10286632.2018.1433666
Shu-Ching Chou, Yu-Hsiu Cheng & Dina Yeni Martia (2022) Fundraising policies in cultural and creative industries: public stock market and crowdfunding channels, International Journal of Cultural Policy, 28:6, 730-754, DOI: 10.1080/10286632.2021.2011253
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Elisabetta Lazzaro & Douglas Noonan (2021) A comparative analysis of US and EU regulatory frameworks of crowdfunding for the cultural and creative industries, International Journal of Cultural Policy, 27:5, 590-606, DOI: 10.1080/10286632.2020.1776270
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